Yet when Alex speaks about writing his songs, it can come tinged with self-doubt. He’s been covered by Phoebe Bridgers and his friend Michelle Zauner of Japanese Breakfast, two other generational talents. In recent years, Giannascoli has been recognized as one of his generation’s remarkable songwriters. His most frequent lines during our conversation were variations on the apologetic, “Does that answer your question?”
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He’s not withholding exactly, it just can feel like that as a private person he’s unsure how to express what either he or you might be looking for in a response. He doesn’t offer many personal stories or details that might explain his perspective. In conversation, Giannascoli is reserved but not unfriendly. “I was just seeing where these powerful motifs would bring me when I was throwing different words together.” “I wasn’t thinking about any bigger picture when I was writing,” he says. It’s just that some people he’s close to have found religion later in life, so it was on his mind. Giannascoli says his upbringing wasn’t religious at all and he hasn’t had a recent spiritual awakening.
Here the tracklist includes “Mission,” “Blessing,” and “Miracles.” He begins the album with the pious lines, “After all / People come and people go away / Yeah but God with me he stayed” and ends with a song in which he hollers the absolving plea, “Forgive yesterday, I choose today.” Alex G song titles are usually only a word or two long, and those words are usually either nouns or proper nouns. Each album reveals new dimensions of Giannascoli as an artist that he previously hadn’t unlocked.Īs the name God Save the Animals implies, religious themes and allusions pervade the record. But God Save the Animals is also another step forward in a discography built on continuous progression. There are myriad vocal effects that literally give him a different voice from song to song. There are unexpected genre flips that take the music beyond the realm of standard indie rock. The elements that have come to define an Alex G record are all present: There are absorbing, if hazy, tales where some sketchy situation lurks not too far below the surface. God Save the Animals, Giannascoli’s newest album and his fourth for Domino Recording Company, will be released this Friday. A few of his songs, specifically some of the weirder ones from the earliest years of his output, have gone viral through TikTok and now have the eight-digit streaming numbers to prove it. He’s rarely on social media, but he’s continued to build a shockingly large audience among young listeners. And that doesn’t take into account all the rarities and unofficial tracks-including a trove of songs he recorded back when he was in high school-that have found their way to the internet through YouTube or that have been collected on fan sites like Unreleased Alex G. Born Alex Giannascoli and temporarily known as (Sandy) Alex G, he’s released nine albums, two EPs, one live recording, one film score, and a smattering of collaborations with artists ranging from Frank Ocean to Oneohtrix Point Never.
Though only 29 years old, he’s already had a prolific career. “The words that come into my head are what I put down, and then I fine-tune them later so it’s more coherent of a narrative, or whatever.” “I just go off of intuition,” he says during a call on an August afternoon.
Songwriting has become a reflex at this point for the Philadelphia-based musician, like catching a ball that’s been thrown at him. Alex G admits that he really doesn’t know.
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